Help your students work and think like artists using the Bridges model
Why Bridges for artists?
At the core of Bridges is a belief in the power of learning through an artistic process. This belief has been activated in a rich library of approaches and activities valuable to beginning and veteran arts educators across artforms.
Bring the artistic process to young children
Through Bridges, children learn to work and think like artists as they imagine, experiment, problem-solve, collaborate, self-reflect and revise.
Agency for children
Classroom power dynamics are shifted when children develop agency in their artistic choice making, and discover their own way of working.
A studio environment
An environment is created, free of judgment and competition, in which a community of artists can converse about artmaking using rich language.
Adaptable to all artforms
The Bridges model was created using puppetry arts- theater, visual arts and physical/vocal expression- but the approach applies to any artform.
Using this website
Bridges can impact your teaching to be more child-centered, process-oriented, and support children to work and think like artists. The website offers both big picture approaches and targeted activities.
Find the big ideas and tools to evolve your teaching, expand your imagination and skills for reaching your goals for children.
Artist Entry Points
What kind of space are you trying to create in your classroom? How are you building your teaching artistry? Find Bridges resources to support your development!
I want to make stronger connections between my own artistic practice and my teaching
Use our artistic process tools to help you pass on more of the artistic process and agency you know deeply to your students. Watch the videos below to hear about the experience of visual and music artists and how they apply Bridges in their artform.
https://www.youtube.com/embed/dApC7IIf5M4
Sharing process-based work
Donna Maria DeCreeft describes how Bridges helps her share more of the process-based work she does as an artist with students.
https://www.youtube.com/embed/Cb1w7Z8sBFk
Telling stories through music
Rima Fand describes how she was able to pass on to students a process for “telling stories wordlessly through music” out of the Bridges work.
I want to create an environment where children speak as artists
Describing kids’ work is something I’ve taken with me… to respectfully acknowledge the work of all children. It frees us from vague, often dishonest statements like “I love it! It’s so creative!” that do not build capacity, and impart to children that their goal is to please us, rather than to value their own ideas (Ron Sopyla)
Children are free to make their own artistic choices, and are in charge of their own process. Find tools to engage and respect children as artists, not novices, from the start of any lesson and in each phase of their process.
I want to advocate for kids’ work to reflect their vision, not adult expectations
Though there is often pressure for children’s artwork to have a certain look, use the language on this website to clarify the focus on learning an artist’s work process to advocate for a focus on authentic expression, rather than a product that adults have imagined in advance.
Check out the Character Emotions/My Emotions activity series which explores emotions as an inspiration for artistic work. On the Working with Emotions page find: language and tips to help students learn from the frustration moments inherent in artistic process; information on making space for emotionally charged content when it arises in the classroom.
I want to give teachers an active role in my residencies:
Use these tools to build your teacher partner’s observation skills and understanding of the priorities of artistic process work. They build a common language between you, and provide a meaty structure that offers teachers professional development in artistic working and thinking while you teach.
I want to explain the connections between arts and literacy to teachers and administrators
Find resources that speak to school literacy-based perspectives on Bridges. You can share pdfs and webpages, or pick up some language that comes from Bridges teachers.
https://www.youtube.com/embed/0tMoHFkrmhI
Advocacy example: Why should physical expression be integrated into how kids learn in school?
Kirsten Kammermeyer is a Bridges teaching artist who went on to become a theater arts specialist in a public school in Queens. In this video, she and Bridges curriculum specialist Erin Orr talk about what physical expression offers young learners and how integrating it into classroom routines can help both kids and teachers!